SOLD The Fallen Farmer by John Bellany

Limited Edition print by John Bellany
31/50 Signed in the right hand corner in pencil.

Paper size 46cm x 34.5cm

Image size 35.5cm x 25cm

Curwen Chilford blind stamp centre, bottom

About

Bellany's work is included in the Museum of Modern Art, New York,^[9] the Metropolitan Museum, New York,^[10] the Yale Center for British Art, New Haven, Connecticut^[11][12] and Tate Britain, London. Another place where his work is featured is the National Portrait galleries. Additionally some of his works are held in Scotland by the National Galleries of Scotland^[13] and also by East Lothian Council reflecting his generosity to the local communities he lived in.^[14]

In 1968 Bellany graduated and his diploma show was hailed as great success. Many of the paintings from this and the earlier periods are now in public institutions as well as various national galleries. After graduation, Bellany was offered a teaching position at the Edinburgh College of Art but he carried on as a working artist and flit between various teaching jobs at different art colleges.^{[citation needed]}

He was elected to The London Group in 1973

When in 1974 he separated from his wife his art appears to take on a darker tone. The symbolism increases and it seems as though each picture can have a whole narrative of symbols within it, increasingly the pictures become wilder and wilder tending more to expressionism, at this point he suffered a nervous breakdown and returned to Port Seton for recuperation.^[3]

Between 1973-78 Bellany had been head of faculty of painting at Croydon College of Art and had met Juliet Lister who he later married. In 1982 he was offered a show in New York which exhibited some of his earlier work.^{[citation needed]} He lectured at Goldsmith's College from 1978 to 1984.^[4]

The New York 1982 tour which included a showing at the Rosa Esman gallery, presented his work to a much greater audience, resulting in purchases to important private collections as well as to the NY MOMA. One of the works exhibited was Time and the Raven, a particularly strident work. The works title was borrowed by his friend Sir Peter Maxwell Davies for his UN composition of the same name in 1995^[5]

In 1984, following an impromptu holiday in France with his first wife and family he was diagnosed with liver disease, an consequence of his alcoholism. He abstained for the rest of his life but the damage had been done.^{[citation needed]}

In 1985 his father and second wife Juliet died when she committed suicide. A retrospective was arranged for the National Gallery of Modern Art. The exhibition at the National Portrait Gallery included a portrait of the cricketer Sir Ian Botham. This portrait attracted more publicity for Bellany than he had ever previously achieved.^{[citation needed]}

In 1986, he remarried his first wife Helen. The liver disease was becoming unmanageable and by the end of 1987 it was clear death was near.^{[citation needed]}

In 1988 Bellany was operated on for a then relatively new liver transplant procedure; this also inspired works.^[6] Carried out at Addenbrooke's hospital in Cambridge by Sir Roy Calne, Bellany not only survived but started to paint within hours of the operation, first producing a portrait of the nurse caring for him, then going on to produce a set of pictures known as the Addenbrooke's series.^{[citation needed]}

Bellany received an Honorary Doctorate from Heriot-Watt University in 1998 ^[7]

In 2003 Damien Hirst came out as an admirer of Bellany and bought several of his works as well as praising him as one of the major painters of the twentieth century.^{[citation needed]}

In 2005 he suffered a heart attack. He died in 2013.^{[citation needed]}